We now have copies of this beautiful catalogue which presents collaborative artworks created across two decades of the ‘Parelles Artístiques’ project, by Osonament. It was an absolute privilege to collaborate with Maria José Torres Torres exploring creativity, expression and mental health to produce our work, ‘Tarannà’.

Superpresent magazine – full of poetry, essays, short stories, and visual arts that in someway represent an aspect of the super present – featured works ‘Dust to Dust’, ‘Pause, Kneel, Reflect’ and ‘From This Distance’.

‘Soils Turn’ is a ‘field guide’ highlighting the work of over thirty distinguished soil artists, including soil essays, and directory of over 140 soil artists, published by ecoartspace. What a privilege to have featured work ‘8 dias: 8 terras’, a site-specific soil based performance made for Territori Festival, Ibiza.

I’m delighted to share that my work has been featured in the publication When Roots Are Not Grounded, curated by The Starving Artist. The publication examines the future of agriculture through creative resilience, bringing together artists whose practices engage with land, ecology, and sustainability.

I’m truly honoured to have my work included in ‘Com accionar mecanismes de meravella’, the publication celebrating ten years of ‘Els Ports. Natura i Art’, curated by Sergi Quiñonero and organised by Lo Pati.

Starting points of the work of the artist Sarah Misselbrook.

The artist presented the performance ‘Resilient’, on November 9 at the Mèdol, as part of the reflection program on art and the environment of ‘Cultura Verda’. The reflection on art and the environment of ‘Cultura Verda’ has returned one more autumn to Mèdol, Center for Contemporary Arts in Tarragona.

Interview by Òscar Ramírez Dolcet for Tarragona Digital (English translation below).

For the full interview in Spanish click here.

Following on from the performance of ‘Penitent I’ in El Pinell de Brai for the inauguration of ‘Ermita 2.0’ touring exhibitions, I was interviewed by Catalunya Radio about why and how I ended up living and practising my art here in Riba-roja d’Ebre.  
Here’s the full interview with other artists in the same position, overlaid by various images of my artwork.

Spring 2022 saw the publication of the 21st Issue of Dark Mountain. Entitled ‘Confluence’, this edition featured the collaborative land art installation ‘The Distance Between Us’.

The winter of 2021 saw artwork accepted into the second edition of ‘Catalogue of Failures’. The series of photographs entitled ‘Dust to Dust’ along with ‘Between Spaces’, a written word piece created at the same time both feature in this publication.