Aug-Nov 2004
Absolution
ArtVaults Southampton
(solo installation)
Featured work - Destroy And Diminish (Mine to) 2004, Flight
of Femininity 2004, 1m2 2003
The concept of the non-body and the conflict between the sensual
and the skeletal is the fuel for the production of the work.
The materials are gradually drying out, becoming hard and wrinkled,
similar to the effect of ageing upon our human skin. The work’s
process, it’s gradual decomposition runs parallel to
our route to mortality. It reminds us of our fate and also
mocks our obsession with self-improvement.
Private or public, inside or outside but most of all grotesque
or normal; these artworks are metaphors for the culturally
inscribed body.
The work is longing to break free of it’s own material
constraints, or those imposed on it by the laws of nature.
It addresses issues surrounding
the interior and exterior relations of the body, collapsing the body’s
boundaries through a deformation that reconfigures the form, creating new
shapes and voids within existing space.
This is the very reason the work speaks so fluently within
a space such as the medieval vaults. It is an existing
space, not a fabricated white box which
presents the work visually but a loaded space: historically, culturally
and emotionally.
The works resonate within their surroundings each asking questions of the
other with the negative space or voids surrounding the artwork becoming
just as artistically
stimulating as the work itself. Silence is overwhelming within the vault
with space for contemplation and uncluttered visual communication free
from commercial
context.
Click on image to enlarge (pop-up window)
Private view photos

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